BOOKPLATES
BOOKPLATES
THE WORLD OF EX-LIBRIS
A historical retrospective

3 MODERN TIMES
 
BOOKPLATES
3b
EX-LIBRISM AND COLLECTORS’ SOCIETIES
1890-1975

The first signs of interest in ex-libris from a historical-scientific point of view date from 1835, when Heinrich Lempertz in Germany dedicated a chapter to bookplates in his Bilder-Heften zur Geschichte des deutschen Buchhandels, and two years later, when Daniel Parsons published an article entitled Of Bookplates in the Third Annual Report of the Oxford University Archaeological and Heraldic Society, pp. 17-21. Apart from rare exceptions, such as a mid-18th century German collection whose owner has not been identified and the collections of Adélaide Le Caron de Fleury (constituted c.1780-1793) or Miss Jenkins of Bath (active c.1820) ex-libris collecting did not, however, really start before the 1860s. When it did, the fashion spread like wildfire. Societies of collectors were founded in London and Berlin in 1891, and in many European capitals in the subsequent decade. At first, the prime object of collection was old bookplates, particularly the early rarities, but soon many collectors widened their interest to include contemporary plates and commissioned ex-libris not only for their libraries but also for exchange. There was a lull in interest during the 1930-1950 period, but ex-librism has since been slowly expanding. Today there are over thirty ex-librist societies in the world, which group some 10.000 persons.

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3b/1. Charles William Sherborn (GB, 1831-1912) & Harry Soane (GB) THE EX-LIBRIS SOCIETY, X2, 52 x 46, 1891.

The earliest bookplate society was the Ex-libris Society, founded in London in 1891 and which survived until the end of 1908. The Ex-libris Journal ran to 18 volumes and is a most valuable source of information on bookplates. Most of the noted collectors of the time were members. It is doubtful whether this item should rank as a bookplate, for it was more particularly used on the Society’s stationery, membership cards and title-pages of the ELJ from 1893. It was cut on wood in Soane’s workshop after Sherborn’s design.
3b/2. Charles William Sherborn (GB, 1831-1912) SIR AUGUSTUS W. FRANKS, X2, 122 x 77, 1891.

Sherborn ranks as one of the foremost artists of his time in armorial compositions. This is one of his finest pieces, for Franks (1823-1897), one of the best-known British collectors as his collection is in the British Museum and accompanied by a 3-volume catalogue. The design, at Franks request, was based on a plate by Le Blon, which in its turn was inspired by Dürer’s plate for Tscherte (see 1b/2).

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3b/3. Charles William Sherborn (GB, 1831-1912) GEORGE HEATH VINER, X2, 102 x 73, 1898.

There are several varieties of this fine armorial, which was subsequently adapted for George Arthur Viner, son of the great collector George Heath Viner whose donation of ex-libris to the British Museum augmented their holdings from Franks.
3b/4. Diana Bloomfield (GB,*1916) THE BOOKPLATE SOCIETY, X2, 50 x 39, 1971.

As part of the Ex-libris Society, the Bookplate Exchange Club was founded in 1899 and was active for over 80 years. The Bookplate Society was founded in 1972 as an extension of the exchange club, and has about 250 members today, of which about half live outside Britain. This multi-purpose wood engraving has not so far been used as a bookplate. It was a gift to the Society from the chairman at the time, Philip Beddingham.

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3b/5. Adolf Matthias Hildebrandt (D, 1847-1918) EX-LIB-RIS VEREIN ZU BERLIN, L, 111 x 75, 1892.

Founded on 24 May 1891, the Berlin Ex-libris Society formally became the German Ex-libris Society in 1909. At first, its members had a predominant interest in heraldry; membership reached a peak of around 900 in 1922 and fell to some 200 on average in the 1930s. Today it has over 450 members, including institutions. Its publications started in 1892.
3b/6. Wilhelm Busch (D, 1832-1908) FRIEDRICH WARNECKE, L, 89 x 59, 1889. Viz. Zur Westen p. 90, ill. p. 86, etc.

Warnecke (1837-1894) was the founding father and first President of the Ex-libris Verein zu Berlin, 1891-1894. He also founded the Heraldic society Herold in 1869, and is considered perhaps the most important heraldry expert of Germany in the 19th century. This charming plate for him was made by Busch, the celebrated illustrator and father of the comic strip Max und Moritz.

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3b/7. Franz Bushmeyer (D) GRAF KARL EMIL ZU LEININGEN -WESTERBURG, P7, 151 x 57, 1905.

Count Leiningen-Westerburg (1856-1906) joined the Berlin Ex-libris Society the year of its founding, and was editor of its publications from 1895 to 1906. He had many international ex-libris contacts and was honorary vice-president of the Ex-libris Society, London. His articles – over a hundred – on ex-libris, and his book Deutsche und österreichische Bibliothekzeichen (1901; English version the same year) remain standard works today. His collection of some 38000 bookplates – the largest outside Britain at the time – is now in the Germanischen Nationalmuseum in Nuremberg.

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3b/8. ‘Henry-André’ (André Schultz, F, 1857-1932) SOCIéTé FRANçAISE DES COLLECTIONNEURS D’EX-LIBRIS, L, 70 x 49, 1893. Viz. GMN ill. p. 213, etc.

The French Society of Ex-libris Collectors was founded on April 30th, 1893. Henry-André, an important artist who left a substantial opus of bookplates (Viz. 4e/1), was the first Secretary of the society. It grew rapidly, and in 1896 already counted 138 members. The Archives de la Société Française des Collectionneurs d’Ex-libris, started in 1893, was published regularly until 1938, with an interruption from July 1914 to August 1917.
3b/9. A. Bertrand (F) JACQUES CHARLES WIGGISHOF, C3, 84 x 60, c.1890.


Wiggishoff (1842-1912), following on the tracks of Auguste Poulet-Malassis, who in 1875 published Les ex-libris français depuis leurs origines à nos jours, engaged in research on French bookplates. Three years after his death, his Dictionnaire des dessinateurs et des graveurs d’ex-libris français was published, which though extremely rare remains a standard reference work today.

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3b/10. Michel Jamar (F,*1911) A.F.C.E.L., C2 + C5, 110 x 84, c.1960

In 1938, the Société française des collectionneurs d’ex-libris was dissolved – as many other institutions of the time, the financial crisis of the ‘30s destroyed it. The following year, however, a new Association Française des Collectionneurs d’Ex-Libris (A.F.C.E.L.) was founded. It continues to publish L’Ex-libris Français today.
3b/11. Lorenz Rheude (D, 1863-1939) EX-LIBRIS CLUB BASILEA, X1/2, 56 x 50, 1901.

The Basel ex-libris Club, despite the publication of three excellent volumes of Schweizerische Blätter für Ex-libris Sammler, ceased to function in 1907. It was only in 1968 that the Schweizerische Ex-libris Club was constituted, which continues its activities today. The absence of a ‘national’ association did not prevent, in any way, research and publication of studies on ex-libris in Switzerland.

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3b/12. Karl Rogg (CH, 1884-1946) AGNES WEGMANN, C2, 80 x 49, 1918.

Agnes Wegmann was an important collector of ex-libris, and her collection is today at the University Library of Basel. In the late 1920s, she commissioned the research and publication of an extensive catalogue of Swiss ex-libris until 1900, following on a first study published by Ludwig Gerster (1848-1923) in 1898 . The two volumes, printed in 1933-1937, are the best ‘national’ reference work on ex-libris of any country.
3b/13. L. Pasini (I) Jacopo Gelli, P1, 58 x 87, 1903.


Gelli, an important Italian collector, published in 1908 a small catalogue of 3500 Italian ex-libris which, with certain more substantial and recent works, remains standard reference today.

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3b/14. Arthur Sjögren (S, 1874-1951) ipse, X2 + T, 980 x 50, 1909

The Swedish artist and collector Sjögren published quantities of articles and books about ex-libris in Sweden and the Nordic countries. His major work on Swedish royal bookplates and suprali-bros, published in 1915, is a standard and definitive volume, as well as a beautiful book.
3b/15. Jaume Plá Dalmau (E, *1914) A. E. B., X2, 110 x 77, 1952.

Already at the turn of the century, Barcelona was an important centre of interest in ex-libris, with numerous well-known artists active in the field. As in many other countries, the ex-libris society in Spain and in Catalonia fluctuated somewhat. This amusing ex-libris won the Sedo Peris-Mencheta prize in 1952, in a competition organised in Barcelona.

End of 3b



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