Art Photography, Photos

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Art Photography, Photos

Born : 1947 in Geneva, Switzerland.
Lives actually in Geneva and Aghios Sillas, Greece.

1971-73 :Begins with press photography, cooperation with Gamma agency, Paris.
1973-78 :Studies Art History at Geneva University.
1976-86 :Lecturer in Photography at Geneva College.

Individual photographic research on contemporary landscape.
At present works on different series of landscapes and street portraits in Europe.

Awards :
1974-78-82 : Swiss Federal Grant in Applied Arts.
1984 : Associate’s Prize for Contempory Photography, Lausanne, Switzerland.
1987 : Prize " Makedona Kosta ", Ministry of Culture, Athens, Greece.

Monographs :
1986 : " Ikonostasia ",Collection La Memoire de l’Oeil, Lausanne, CH
Prize " Most beautifull Swiss books 1986 ".
1991 : " Jardin Suisse " Edition Olizane, Geneva, CH
Prize " Most beautifull Swiss books 1991 "
1996 : " 100 Portraits d’Apprentis ", Editions Trace, Geneva, CH

Exhibitions :
Since 1982, numerous exhibitions in Europe, Asia and USA..


Photo-expressionisme
The arrival of the electronic image has profoundly changed the way we relate to photography.

The traditional photography of silver-based film considered in the beginning as an innovative technique and a tool for information, have merged now into domain of classical artistic techniques (e.g. engraving), its field of expression turning ever more towards poetic illustration.

The ease with which digital images can be manipulated has opened up new possibilities of expression and their impact has sent a shock wave rippling out and back through all the other visual arts.

In my work, I make deliberate use of this boomerang effect by returning to the field of conventional photography with the tools used for the manipulation of digital images.

I do life-size photoshop.

The torch is my paintbrush, the flash my spray, the bulb my pencil. And, like the mouse, I roam at will through the image, in the open air, under the stars.



Photo expression
L'apparition de l'image électronique a profondément transformé notre rapport à la photographie.

De son ancien statut de technique novatrice et d'outil d'information, la photographie argentique a glissé dans le domaine des techniques artistiques classiques, au même titre que la gravure par exemple, et son champ d'expression s'oriente de plus en plus vers l'illustration poétique.

Les nombreuses facilités de manipulation de l'image numérique ont ouvert de nouvelles possibilités d'expression qui, comme un choc en retour, se répercutent dans tous les autres domaines des arts visuels.

Mon travail utilise délibérément cet effet boomerang en retransposant sur le terrain de la photographie traditionnelle les outils utilisés pour la manipulation des images digitales.

Je fais du " photoshop " grandeur nature.

Le pinceau devient lampe de poche, le spray est un flash, le crayon une ampoule et je me promène comme la souris dans l'image, en plein air et sous les étoiles.















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